Double Blind #3
Double Blind Issue No. 3
- Condition: New
- Language: English
- 96 Pages
- 19.05cm x 25.4cm (7.5" x 10")
- Published in Los Angeles, California
- Frequency: Biannual
In the third issue, Double Blind explores psychedelics as tools for healing and interconnectivity in times of crisis. Inside the issue, you'll find timely stories that examine racial and social justice in relation to psychedelics, asking us to reflect on controversies and inequities within the field. The issue covers the paradox of conscious capitalism, the reality of racism in the psychedelic space, and the question of psychedelic exceptionalism—are psychedelics inherently better than other drugs, like opiates, and how can diverse communities of all types of drug users work symbiotically to dismantle the Drug War? Double Blind Issue No. 3 also take readers around the world, from an all-women's ayahuasca ceremony in the Amazon to the underbelly of the global festival culture to queer communities from around the African continent. The issue also features practical advice, like how to choose the right psychedelic for you, as well as a transcript of a previously unpublished interview with Timothy Leary and Roger Steffens (the artist behind the renowned Family Acid photo collection).
DoubleBlind magazine and covers timely, untold stories about the expansion of psychedelics around the globe.
We’re all blind in some ways—blind to our biases, blind to our needs, blind to our habits. That’s what good journalism is for—not for reaffirming our beliefs, but for challenging us to consider new ones that are based on facts.
Double Blind speaks to everyone who is curious about psychedelics. The magazine speaks to anyone craving fresh perspectives on some of the most important issues of our time: the depression epidemic, the corporatization of medicine, and the aching that people around the globe feel for spirituality or some other collective sense of meaning. Double Blind is a dive deep below the surface of the daily news cycle through long-form reported features, poetry, visual art, and provocative photo essays.