Bomb #160

Bomb #160

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Bomb #160

  • Condition: New
  • Language: English
  • 144 Pages 
  • 22.86cm x 28.58cm (9" x 11.25")
  • Published in New York
  • Summer 2022
  • Frequency: Quarterly
INTERVIEWS

FILM - TRINH T. MINH-HA
by Shivani Radhakrishnan

LITERATURE - VICTORIA CHANG
by Jane Wong

ART - JUAN LOGAN
by Berrisford Boothe

MUSIC - SHARON VAN ETTEN
by Nilüfer Yanya

ART - EMILY BARKER
by Ayden LeRoux

LITERATURE - JORDAN CASTRO
by Juliet Escoria

ART - WILLIAM WEGMAN
by Andy Lampert


POETRY

Poetry of the Northern Triangle Diaspora curated by Daniel Flores y Ascencio

now by Aditi Machado


PORTFOLIO

by Genesis Báez


FICTION

Four Crônicas by Rone Shavers

The Birds by Emily Hunt Kivel

West Cemetery by Alejandro Zambra, translated by Megan McDowell

Trespass by Matt Gallagher


ESSAY

The Extraordinary Illiteracy of Place and the Immigrant: Writing Without Country by Paige Clark


NONFICTION

Mothercare by Lynne Tillman


COMIC

From The Case Histories Comics by Martin Wilner


EDITOR’S CHOICE

Field Trip, Psychedelic Solutions, 1986 – 1995 Curated by Fred Tomaselli
by David Brody

Éric Baudelaire's A Flower in the Mouth
by Anthony Hawley

Les Rallizes Dénudés's The OZ Tapes
by Clinton Krute

Cookie Mueller's Walking Through Clear Water in a Pool Painted Black, Collected Stories
by Kay Gabriel

Omar El Zohairy's Feathers
by Courtney Stephens

Amy Brady and Tajja Isen's The World as We Knew It: Dispatches from a Changing Climate
by Benjamin Samuel 

BOMB Magazine has been publishing conversations between artists of all disciplines since 1981. BOMB’s founders—New York City-based artists and writers—created BOMB because they saw a disparity between the way artists talked about their work among themselves and the way critics described it.

Today, BOMB is a multi-media publishing house that creates, disseminates, and preserves artist-generated content from interviews to artists’ essays to new literature. BOMB includes a quarterly print magazine, a daily online publication, and a digital archive of its previously published content from 1981 onward.

 


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